Sarah Jane Gorlitz is always trying to push the envelope.
Much of her work is figurative and focuses on the negotiation between
representation and abstraction. She has worked with this theme in
landscapes, still lifes and a series of paintings that beautifully
translate the blurred motion, pixelation, dust and white spots of
old family film footage.
Hanging new paintings minutes before her first Toronto gallery
show and hawking her wares at the Toronto Outdoor Art Exhibtion,
she discusses her preference for using photographs as a starting
point, how Art History courses inspired her to paint, and her frustration
with the pace of her development as an artist.
Subject(s): Artists–Sarah
Jane Gorlitz, Painting,
Women–artists |