Culture Jam at Victoria's Open CinemaOn Tuesday, February 1, Victoria's Open Cinema presents CULTURE JAM: Hijacking Commercial Culture. A fascinating rap on the 20th-century movement called Culture Jamming, the film introduces a new breed of revolutionaries who wage war on logos and symbol. These pranksters and subversive artists reclaim public ad space by causing a bit of artful damage to brand names. Hard-hitting and controversial, this documentary asks: Is Culture Jamming civil disobedience? Senseless vandalism? Or the only form of self-defense left? Directed by Jill Sharpe and produced by Lynn Booth, Culture Jam is available from Moving Images Distribution.
For more information on Open Cinema café screenings, visit www.opencinema.ca [top] Three films at upcoming Victoria Independent Film & Video FestivalThe Victoria Independent Film and Video Festival (February 4-13) will offer audiences the chance to scrutinize a notorious bad boy of Canadian art in Drawing Out the Demons, size up the potency and idiosyncrasies of Canadian cinema in Weird Sex and Snowshoes, and examine the sky-rocketing number of school children taking antidepressants in Little Boy Blue. All three works are distributed by Moving Images Distribution.
Drawing
Out the Demons: A film about the artist Attila Richard Lukacs,
directed by David Vaisbord and produced by Trish
Dolman and Stephanie Symns, will be screening
on Friday, February 4 at 9:30pm at the Victoria Conference
Centre (720 Douglas Street). A gritty and compulsive examination
of the extremes of artistic temperament, the film is set against
the backdrop of Lukacs' school days at Vancouver's Emily Carr Institute
of Art & Design and his meteoric rise into the international art
world. The Globe and Mail calls the film "wonderfully
voyeuristic" and "compulsively watchable," while the
Atlantic Film Festival contends that, "Drawing Out the Demons may
be the most honest and substantial documentary ever made about a world-class
artist."
Next up is the hilarious Weird
Sex and Snowshoes: A Trek through the Canadian Cinematic Psyche,
showing Sunday, February 6 at 7:30pm at ONE Lounge
(1318 Broad Street). Loosely based on the acclaimed book by Vancouver
Sun film critic Katherine Monk, the film is a smorgasbord
of interviews and clips that gives 21 celebrated Canadian directors
the chance to sound off on "just what is Canadian cinema?"
Atom Egoyan, Denys Arcand, Zacharias Kunuk, Mina Shum and Lynne Stopkewich,
to name a few, reveal opinions as diverse as their filmmaking styles.
Directed by Jill Sharpe and produced by Gabriela
Schonbach, the film opens our eyes to what's under our noses:
great cinema with a perspective that's all our own. Featured in the
festival program "Sideshow Strangeness."
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Visit the Victoria fest's web site for more information on these films and others in their impressive line-up. [top]
The Picture This…International Disability Film Festival in Calgary will feature Almost Normal: Stories from the Well Within on Tuesday, February 15 at 3:30pm, as part of a program called "Thinking About Disability – films that challenge our notions about disability." Recognized by the jury for its "tight narrative," "good camera work," and "excellent editing and use of mixed media," this thoughtful documentary received an honourable mention in the festival's Documentary category for work by a filmmaker with a disability. In the film, storyteller and folklorist Dr. Seana Kozar, born with cerebral palsy, takes a deeply personal journey with four other women whose disabilities are as diverse as their life experiences—attention deficit disorder, auditory disability, bipolar affective disorder, reflex sympathetic dystrophy (RSD), rheumatoid arthritis and asthma. Together, they discover the well within that helps them nourish themselves and support one another. The festival runs from February 14-18 at the University of Calgary's Rosza Centre and will spotlight films by and about persons with disabilities. For more information, visit the Picture This…Festival web site. [top]
Congratulations to filmmaker Geoff Browne, whose documentary, Call It Karma, was named Best Adventure Film at the recent Whistler Film Festival. The film is the inspiring true story of young Tibetan Monk Gyalten Rinpoche who in 1995 made a 1,000-mile spiritual pilgrimage on foot across the rooftop of the world. Six years later, he establishes a Buddhist center in the West, befriends the young filmmaker, and journeys back to Tibet for an emotional reunion. The film, coupled with Diana Wilson's Being Caribou, will open a special Adventure Film Showcase hosted by the Whistler Fest on Saturday, February 26 at 7pm. Call It Karma producers Shan Tam and Michael Parker will be in attendance for a Q+A period. The showcase also includes a 9:30 screening of Velcrow Ripper's Scared Sacred.
For more information on the Showcase, visit the Whistler Film Fest web site. [top]
100% Woman, directed by Karen Duthie and produced by Diana Wilson, will be screened as part of VIMFF's Mountain Biking Evening on Thursday, February 24 at 7pm at Centennial Theatre (2300 Lonsdale, North Vancouver). 100% Woman focuses on transsexual mountain biking champ, Michelle Dumaresq, and the controversy surrounding her success. Globe and Mail reviewer Matthew Hays offers this take on the film: "Vancouver-based director Karen Duthie has crafted an intelligent and poignant film, helped by the sheer likeability of Dumaresq herself, a down-to-earth figure who just wants to compete at the sport she clearly loves." Call It Karma's screening on Saturday, February 26 at 7pm, also at the Centennial Theatre, is part of VIMFF's BC/Canada Evening. The film will be showcased alongside presentations by climbers Peter Croft and Sonnie Trotter, as well as the films, Hockey Night in Ladakh, Vertically Challenged, and No Coffee Cups For You. Tickets for these evenings are $15 in advance (at MEC + Centennial Theatre), $17 at the door. For more information, visit the VIMFF web site. [top] Call It Karma part of Tibetan Cultural Fest – Feb thru AprilAnother screening of Call It Karma will take place on Saturday, February 26 as part of the the Tibetan Cultural Festival, hosted by the Trans Himalayan Aid Society (TRAS) and held at the Vancouver Planetarium. In addition to the film screening, the evening will feature a demo of traditional Tibetan Thangka painting by Kalsang Dawa, Tibetan singing by Tashi Gyal, as well as food, handicrafts, and displays on projects helping Tibetan/Himalayan children and youth. Showtimes are 6pm and 8pm. Director Geoff Browne will be in attendance. Tickets are available at the door. The festival and Call It Karma will also travel to Vancouver Island, the Gulf Islands and the Sunshine Coast between now and April. Dates follow:
For more information, visit the Trans Himalayan Aid Society (TRAS) web site. [top]
On Sunday, February 27 in Toronto, David Vaisbord's Drawing Out the Demons: A Film about the Artist Attila Richard Lukacs will be featured as part of the Canadian Art Film Series. This raw and uncensored documentary tracks the dramatic career of the notorious Canadian painter, from his meteoric rise into the international art world, through his personal battle with addiction, to spiritual and creative renewal. Screening time is 5pm at the Royal Cinema (608 College Street, six blocks west of Bathurst Street). Hosted by the Canadian Art Foundation, the February film series features documentaries in which leading directors train their sights on some of the most influential artists of our time. To coincide, a symposium on "Imaging the Artist: The Role of the Artist in Contemporary Culture" will run from 1 to 3pm on Saturday, February 26. Discussion will be led by an invited panel of artists, filmmakers, writers and curators. For more information, visit the Canadian Art Foundation web site. [top]
Weird Sex and Snowshoes: A Trek through the Canadian Cinematic Psyche will headline the opening night of the Reel 2 Real International Film Festival for Youth on Tuesday, March 1 at 7pm. This fresh, fast-paced and funny documentary gives 21 of Canada's most prominent directors the chance to sound off on "Just what is Canadian film?" and features clips from more than 70 Canadian films. Director Jill Sharpe, producer Gabriela Schonbach, and film critic Katherine Monk will be in attendance. The festival runs from March 1-10 and will spotlight a wide selection of Canadian and international works, including 7 films distributed by Moving Images Distribution (see showtimes/venues below). Whether dramas, documentaries, animated films or shorts, the Reel 2 Real line-up touches on some vital topics for young people today—including social justice, First Nations stories, relationships, tolerance, cultural identity, family life, art and creativity. It will feature awards from both professional and youth juries; a family film fest; weekday matinees; and workshops for students. Showtimes/venues:
*Please note: screenings marked with an asterisk above are part of student workshops, but are also open to the general public. Visit the Reel 2 Real web site for details, including age recommendations for each film. [top] |
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| [top] 100% Woman
Karen Duthie/Diana Wilson 100% Woman begins as Michelle Dumaresq's mountain-bike riding career did, careening down a rocky path to be met with controversy. From some critics comes cautious concern, from others, complete attack. At the centre of it all is the past of this extreme athlete—in particular, the first 20-odd years of life that Michelle spent as Michael. In 2002, Dumaresq became the first openly transgendered woman in the world to be named to a national team in any sport. Beginning with her days on the BC race circuit, to the Canada Cup, the national title and finally, a berth at the World Championships, her progress is dogged by constant scrutiny, both from fellow competitors and the media. Dumaresq insists she doesn't race to make a stand, but doesn't shy from being a trailblazer. She grew up in turmoil over her identity and struggled to come to terms with herself as an adult, even with her parents' whole-hearted support. She takes on the mantle of role model because she understands how isolated others like her feel. Dr. Jerrilyn Prior, the pioneer of sex-hormone use in gender re-assignment therapy, backs up Dumaresq's quest to compete and explains how hormonal changes drastically reduce musculature. This compelling documentary raises timely questions about what it means to be a "real" woman in the world of competitive sports and beyond. Alicia and the Mystery Box
France Benoit Cuba, Québec, Yellowknife, Halifax and Puerto Rico mix in this emotional documentary about memory, family, culture, politics and identity. France Benoit is a Québécoise living in the Northwest Territories. During a visit to her in-laws, she discovers an unexplained box of mementoes from Cuba nestled in a trunk. Her husband can only tell her that his late grandfather once worked in the Canadian embassy in pre-Castro Havana. But the contents of the box clearly belong to someone else—black and white photos of a wealthy Cuban family, baptismal certificates, newspaper clippings and baby books lovingly inscribed in English handwriting. Immediately, France vows to find the rightful owner and return these treasures. What she discovers is Alicia de Arango and a Cuban family history marked by privilege, intrigue and the tragic reversal of fortunes that followed Castro's revolution. The journey takes France, mystery box in hand, from her home in the Northwest Territories to Cuban history expert John M. Kirk at Dalhousie University, to Alicia's new home in San Juan, Puerto Rico and, of course, to Cuba. For France, the odyssey is cultural, political and deeply personal. She cherishes the unexpected chance to connect with Alicia, a kindred spirit living outside her homeland, negotiating two cultures and thriving through change because of the strong bonds of family. Call It Karma
Geoff Browne Call It Karma is the inspiring true story of young Tibetan Monk Gyalten Rinpoche who in 1995 was sent on a spiritual pilgrimage by his Master to walk 1,000 miles from his remote mountain village. Through the Holy City of Lhasa, starving and exhausted, he makes his way across the rooftop of the world to the impoverished Nepalese villages and into the sacred lands of India. Nearly six years later, he establishes a Buddhist center in the West and befriends filmmaker Geoff Browne on the streets of Vancouver. Together, they travel back to the Rinpoche's home village where Geoff witnesses an emotional reunion between the Rinpoche, his Master and family. Crank
Kevin Langdale Crank juxtaposes the seemingly nonsensical with the precision of science, classification and system. Our belief in the order of language does not guarantee communication. Ultimately we are left with a disturbing picture of the futility of the urban environment—city as machine. The Drawing
Jason Buxton A young boy encounters critics' barbs early when his teacher and classmates ridicule his pencil sketch of a dinosaur. Staying true to his artistic temperament literally takes the 10-year old to society's fringes and makes his re-entry into playground politics an exercise in exile. Beautifully and starkly shot, this stylish drama deftly accesses the intense focus of a child's imagination. Fortune Cookies
Xia Tong Filmmaker Xia Tong explores the loneliness and turmoil that often mark the transition to a new country. His blend of poetry, memory and dreams, intercut with overheard conversations, street festival chaos and news bytes about the illegal Chinese migrants off the BC coast, create a devastating portrait of the isolation and identity loss often overlooked in the celebration of multiculturalism. A Fortune in Frozen Dim Sum
Ling Chiu/Selena La Brooy Ling Chiu's quirky short drama begins with a light-hearted assertion: “Fortune was always there; you can't be Chinese and not know about it.” As she tells the sweet, complex and near-tragic tale of one Chinese immigrant family and their brush with disaster, she folds in sibling rivalry, romance, lost dreams, old secrets, family economics and Grandma's lucky encounter with an ill-fated squirrel, to arrive at a poignant conclusion. In the end, their true fortune may turn out to be their devotion to each other. Landscape Revealed: The Art of Toni Onley
Mehdi Ali Best known for moody landscapes of Canada's West Coast, Vancouver artist Toni Onley devoted his trademark vigor, passion and sensitivity not only to his celebrated paintings, but also to his philanthropic pursuits, high-profile activism, vast network of personal relationships and, of course, the flying of his beloved plane. Landscape Revealed: The Art of Toni Onley includes recent interviews with the late artist, at work on the BC shores he cherished. It brings to life not only Onley's contemplative artistic process but also his energetic and provocative public life. An internationally acclaimed artist with works in London's Tate Gallery, NYC's Museum of Modern Art and the Library of Congress in Washington, DC, Onley gained notoriety in 1983 when he took on Revenue Canada and its unfair tax laws for artists. A very public battle saw him threaten to burn one million dollars' worth of his paintings on Wreck Beach, before an 11th-hour response from the federal government. He would again use his prominence for political ends when he joined the fight to save the Stein and Carmanah Valleys, two of BC's last stands of old-growth forest. His iconoclasm, though well publicized, did not stop him from receiving the Order of Canada in 1990. This intimate documentary includes interviews with Onley's many friends, colleagues and admirers—including artists Alan Wood and David Lemon, critics Max Wyman and Susan M. Mertens, Vancouver Art Gallery senior curator Ian Thom, UBC art professor George Knox, National Gallery of Canada curator Denise Leclerc, and Western Canada Wilderness Committee activist Joe Foy. With archival footage of such Canadian luminaries as Jack Shadbolt, George Woodcock and Liona Boyd, as well as a rousing written correspondence with Pierre Trudeau, Landscape Revealed paints a picture of man whose abiding legacy is the zest he had for life.
Light: More than Meets the Eye
Michaelin McDermott This two-part series considers the fierce, wondrous power we call light. Featuring interviews with the world's leading scientists and thinkers, eye-popping displays of their fantastic innovations, historical re-enactments, and archival footage, these documentaries illuminate a vast, extended family of energies—a.k.a. light—that make up the forces at the very heart of our universe. Beings of Light 46 minutes Novelist Victoria Glendinning and social critic Edward Tenner chronicle the electricity revolution, while international dark sky experts advocate a return to nighttime darkness. Neurobiologist Dr. George Brainard demystifies the esoteric notion of the "third eye"—pinpointing it as the tiny pineal gland that regulates melatonin in response to the amount of light our brains receive. Psychiatrist Dr. Raymond Lam considers light's healthy impact on those suffering from seasonal affective disorder (SAD), PMS and bulimia. Biophysicist Dr. Fritz-Albert Popp reveals that even human beings emit light, in tiny ultra-low-intensity emissions known as biophotons, invisible to the naked eye. Energies of Light 46 minutes Dr. Paul MacCready is an engineer, inventor and sunlight nut who has designed and built a long line of alternative vehicles, including the world's largest solar-powered airplane, Helios, built for high altitude flying and even perpetual flight. UBC astrophysicist Dr. Jaymie Matthews discusses the schizophrenic nature of light's many forms—radio waves, microwaves, infrared, UV, x-rays and gamma rays, to name a few. Richard Edlund, the special effects wizard best known for films like Star Wars and Poltergeist, explains how movie makers manipulates pixels of light. Radio-astronomer Dr. Jill Tarter attempts to make 'contact' with extraterrestrials via the light energy of radio waves. Dr. Louis Friedman, a former NASA project leader, is at the center of a private American-Russian initiative to launch the world's first solar-sail spacecraft, which could use the power of light to travel as far as Jupiter. Little Boy Blue
Donna Barker Over 11 million American children took antidepressant drugs in 2003. And the numbers are growing quickly—particularly among children aged five and younger. Little Boy Blue blends startling statistics with expert testimony, a mock public service announcement and words-from-the-mouths-of-babes to deliver a message that is a hard pill to swallow. University of Victoria drug-policy researcher Alan Cassels asserts "the [pharmaceutical] industry is in basically two businesses—the business of creating chemicals and the business of creating disease." He examines the manipulative advertising techniques employed by drug companies and points out that they spend more money educating doctors about drugs than all medical schools in Canada combined. He also highlights the research of Dr. Andrew Mosholder, a senior epidemiologist at the U.S. Food and Drug Administration. In 2003, Mosholder found that children given antidepressants were nearly twice as likely to become suicidal. Ultimately, this cautionary documentary challenges parents to arm themselves with questions before putting their children in the hands of "experts." My Hurricane
Lulu Keating In this dreamy, fractured drama, a woman recalls the recent death of her lover. The remembered rhythms of his last breaths build into the hurricane winds that pounded Nova Scotia in September 2003. The violent squall matches the turbulence of her life. Told in narrative fragments, layered with whispers, an emergency radio broadcast, the lonely whistles of wind and the savage crack of falling branches, My Hurricane becomes a tale of a woman overcome by storm, but in its lull, surfacing. Les passeurs
Hejer Charf Fictional characters Ulysse, Maya, Adam, Barbara and Thomas pace Montreal's Boulevard St. Laurent, attuned to the stories of the real people they meet. A Haitian Innu, a punk rocker, a pale-skinned Cree, a Laotian theology student, a Hassidic couple, an elderly matron from the townships who was her family's seventh-born…with candour, passersby express a sense of belonging to the city, their culture, community, family and language. The facets of their identity complement one another as often as clash. On one level a film about being Québécois, at another, it is a meditation on storytelling, on the many worlds we visit through poetry, song and personal narrative. As the young wanderers absorb the rhythm of every overheard language, they begin to understand more closely how each person cobbles together identity. Interweaving scenes from Le chat dans le sac, Gilles Groulx's seminal film on Québec's Quiet Revolution, filmmaker Hejer Charf both employs a "Cinéma direct" style and reconsiders the isolation felt by Québec's Francophone majority. The two solitudes may have multiplied as the face of Montreal has diversified, but Les passeurs points to a future where Montreal's many cultures create a new collective identity. With quotes from Jack Kerouac, Omar Khayyam, the Koran, Arthur Rimbaud and Rainer Maria Rilke, this road movie of less than a dozen blocks embraces all the world. Team Spirit: The Jordin and Terence Tootoo Story
Ken Malenstyn/Barrie Dunn/Alexis Arthur Team Spirit: The Jordin and Terence Tootoo Story starts in Rankin Inlet, Nunavut during the summer of 2002, as two Inuit brothers are making history. Twenty-two-year old Terence has become the first Inuk to play professional hockey, and 19-year-old Jordin is trying out for Canada's 2002 national junior team and ultimately the NHL. But tragedy strikes when Terence suddenly commits suicide. Jordin, left with the full weight of role-model pressure and the increasing glare of the media spotlight, strives to carry on and realize his dreams. Weird Sex and Snowshoes: A Trek through the Canadian Cinematic Psyche
Directed by Jill Sharpe If you had to boil Canadian film down, would you get the unlikely combo of awkward sex pitched against a barren northern landscape? Weird Sex and Snowshoes, the fresh, fast-paced, funny documentary based loosely on Vancouver Sun film critic Katherine Monk's acclaimed book, is cagey enough to say just that. And more. A smorgasbord of interviews and film clips, Weird Sex gives some of Canada's most celebrated filmmakers the chance to sound off on "Just what is Canadian film?" Atom Egoyan, Robert Lepage, Patricia Rozema, Denys Arcand, Zacharias Kunuk, Denis Villeneuve, Lynne Stopkewich, Clement Virgo, and others reveal opinions as diverse as their filmmaking styles. But despite scads of ideas, certain defining characteristics do emerge: a fascination with the outsider, exiled by Canada's enormous geography, cultural differences, internal demons; the everyday and ordinary made by turns poignant, bizarre and even mystical; a willingness to take artistic risks; a style that borrows heavily from both documentary and theatre; absurdist humour; and it goes without saying, the ever-present influence and reaction against the behemoth to the south, the USA. As scenes from Mon Oncle Antoine, Atanarjuat, My American Cousin, Rude, Margaret's Museum, Jesus de Montreal, The Saddest Music in All the World, 32 Short Films about Glenn Gould, Flower & Garnet, Goin' Down the Road, and all told more than 70 Canadian films, rocket across the screen, the notion of a unified Canadian cinema starts to take shape. For more information, contact Moving Images Distribution
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